The album we’re working on alludes to film music – the music suggests images, scenes, narratives. It feels like we are scoring a film, the music evocative and cinematic, the movie becoming visible by the listener.
In a more literal sense, the mixing of the sounds creates a landscape – on the left, on the right, in the centre, coming in from the back of the listeners head. Will a sound move? How will it move? Which sound will stay anchored in one place? And how will each sound be coloured, and in what space are they happening/seen? These sonic decisions are also visual decisions; the music suggesting the movie imagined in the mind.